GLADYS LOU 嘉玳
  • About Me
    • About Me
    • CV
  • Portfolio
    • Video/ Performance >
      • Am I Human?
      • Breathe Easy
      • Semiotics of Water
      • Seattle
      • Beyond the Closet
      • Alienated City
      • Dr. Hu
      • A Moth's Monologue
      • In/Time/Out
    • Documentary/Journalism >
      • Power: Being a Queer BIPOC Artist
      • Nearshore Gatherings
    • Sound >
      • Shape of the Wind
      • Another World That Sounds Like You
    • Photography >
      • Afterimage
      • Other Projects
  • Curating
    • "Curator Diary": The Curatorial Work of Shigeko Kubota
    • Esa otra mitad del cielo: Feminist Strategies in Post-1968 Mexican Art
    • To see the world in a grain of sand
    • Thing Valley
    • All watched over by machines of loving grace
    • The Reality of Unprecedented Times
    • Everyday Encounters: Recent Points of View
    • UTM Film Fest 2023
  • Writing
  • Contact

Deadline

Deadline, 2020

Picture
Fiction is the lie through which we tell the truth.”—Albert Camus ​

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  • About Me
    • About Me
    • CV
  • Portfolio
    • Video/ Performance >
      • Am I Human?
      • Breathe Easy
      • Semiotics of Water
      • Seattle
      • Beyond the Closet
      • Alienated City
      • Dr. Hu
      • A Moth's Monologue
      • In/Time/Out
    • Documentary/Journalism >
      • Power: Being a Queer BIPOC Artist
      • Nearshore Gatherings
    • Sound >
      • Shape of the Wind
      • Another World That Sounds Like You
    • Photography >
      • Afterimage
      • Other Projects
  • Curating
    • "Curator Diary": The Curatorial Work of Shigeko Kubota
    • Esa otra mitad del cielo: Feminist Strategies in Post-1968 Mexican Art
    • To see the world in a grain of sand
    • Thing Valley
    • All watched over by machines of loving grace
    • The Reality of Unprecedented Times
    • Everyday Encounters: Recent Points of View
    • UTM Film Fest 2023
  • Writing
  • Contact