GLADYS LOU 嘉玳
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    • The Reality of Unprecedented Times
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Photography

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Cracked, 2021

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A typology of 44 photographs of cracks on concrete floors found in carparks around the GTA. Inspired by Jackson Pollock’s abstract expressionism, the work embraces randomness and anonymity, documenting the traces left behind from human activities. It invites the viewers to celebrate their chance encounter with objects and phenomena around them, and to discover intriguing patterns in the seemingly mundane and routine everyday life.

​Featured in CreateSpace Public Art Forum by STEPS Public Art

Still Life, 2022

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Self Theatre, 2020

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Featured in Relish and Muster Issue 5: Light in the Darkness
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  • About Me
    • About Me
    • CV
    • Links
  • Portfolio
    • Video/ Performance >
      • Am I Human?
      • Breathe Easy
      • Semiotics of Water
      • Beyond the Closet
      • Seattle
      • Alienated City
      • Dr. Hu
      • A Moth's Monologue
      • In/Time/Out
      • Deadline
    • Documentary/Journalism >
      • Power: Being a Queer BIPOC Artist
      • Nearshore Gatherings
      • CICSA Chinese Festival
    • Music Video >
      • Serenity Wavs - Free
      • Ruchi - No Criminal
    • Sound >
      • Shape of the Wind
      • Another World That Sounds Like You
      • Curiosity Shop
      • A Laughing Incident
    • Photography >
      • Afterimage
      • Still Life
      • Portrait
      • Black & White
      • Event
  • Curating
    • Thing Valley
    • All watched over by machines of loving grace
    • The Reality of Unprecedented Times
    • Everyday Encounters: Recent Points of View
    • UTM Film Fest 2023
  • Writing
  • Design
    • Graphic/Editorial Design
    • Illustration
    • Sculpture
  • Contact